Linotype Gianotten Gianotten Heavy-Schriftart

Lizenz: Bezahlt
Autor: Linotype
Sprachen: Latein
Beispiel einer Linotype Gianotten Gianotten Heavy-Schriftart Beispiel einer Linotype Gianotten Gianotten Heavy-Schriftart Beispiel einer Linotype Gianotten Gianotten Heavy-Schriftart Beispiel einer Linotype Gianotten Gianotten Heavy-Schriftart Beispiel einer Linotype Gianotten Gianotten Heavy-Schriftart

Schriftinformationen

Wir haben alle wichtigen Informationen rund um die Schriftart Linotype Gianotten Gianotten Heavy zusammengetragen. Unten finden Sie eine Tabelle über die Version der Schriftartdatei, die Lizenz, das Urheberrecht, den Designer und den Namen des Anbieters. Die Informationen werden aus der Schriftdatei "TTF" entnommen.

Name der Schriftfamilie Linotype Gianotten Heavy
Schriftartenname Linotype Gianotten Heavy
Name des Stils Heavy
Schriftart-ID com.myfonts.easy.linotype.gianotten.linotype-gianotten-heavy.wfkit2.version.3HvZ
Schriftversion 1.03
Warenzeichen Linotype Gianotten is a trademark of Heidelberger Druckmaschinen AG which may be registered in certain jurisdictions, exclusively licensed through Linotype GmbH.
Designer Antonio Pace
Designer-Link http://www.linotype.com/fontdesigners
Link zum Verkäufer (Vendor) http://www.linotype.com
Hersteller Linotype GmbH
Urheberrechte © Copyright © 2000 - 2005 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Linotype Gianotten is a trademark of Heidelberger Druckmaschinen AG which may be registered in certain jurisdictions, exclusively licensed through Linotype GmbH. This typeface is original artwork of Antonio Pace. The design may be protected in certain jurisdictions.
Beschreibung It took the Italian designer Antonio Pace more than five years to create Linotype Gianotten, a successful new interpretation of the classic Bodoni types. To re-draw the 200-year-old characters for the world of modern digital technology, Pace studied Giambattista Bodoni's original punches at the Bodoni Museum in Parma. He felt that previous Bodoni interpretations were not well suited for body texts, so he focused his study of Bodoni's "Manuale Typografico" on the types made specifically for text sizes. Consequently, his Bodoni has strong hairlines, rounded transitions and shorter, fluted serifs - elements that help to achieve readability by providing an overall tranquil effect. This contemporary, highly readable family is an excellent choice for text settings in books, newspapers, and magazines. Incidentally, the name Gianotten has nothing to do with Bodoni, but was chosen by Antonio Pace and Linotype to honor Dutch typographer, Henk W. J. Gianotten.
  • 08.04.2021
  • 11
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