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Linotype Gianotten Gianotten Heavy Italic

Linotype Gianotten Gianotten Heavy Italic-Schriftart

Lizenz: Bezahlt

Autor: Linotype

Sprachen: Latein

Kategorien: bedruckt, serif, zeitungspapier

Beispiel einer Linotype Gianotten Gianotten Heavy Italic-Schriftart

Schriftinformationen

Wir haben alle wichtigen Informationen rund um die Schriftart Linotype Gianotten Gianotten Heavy Italic zusammengetragen. Unten finden Sie eine Tabelle über die Version der Schriftartdatei, die Lizenz, das Urheberrecht, den Designer und den Namen des Anbieters. Die Informationen werden aus der Schriftdatei "TTF" entnommen.

Name der Schriftfamilie	Linotype Gianotten Heavy Italic
Schriftartenname	Linotype Gianotten Heavy Italic
Name des Stils	Heavy Italic
Schriftart-ID	com.myfonts.easy.linotype.gianotten.linotype-gianotten-heavy-italic.wfkit2.version.3HBw
Schriftversion	1.03
Warenzeichen	Linotype Gianotten is a trademark of Heidelberger Druckmaschinen AG which may be registered in certain jurisdictions, exclusively licensed through Linotype GmbH.
Designer	Antonio Pace
Designer-Link	http://www.linotype.com/fontdesigners
Link zum Verkäufer (Vendor)	http://www.linotype.com
Hersteller	Linotype GmbH
Urheberrechte ©	Copyright © 2000 - 2005 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Linotype Gianotten is a trademark of Heidelberger Druckmaschinen AG which may be registered in certain jurisdictions, exclusively licensed through Linotype GmbH. This typeface is original artwork of Antonio Pace. The design may be protected in certain jurisdictions.
Beschreibung	It took the Italian designer Antonio Pace more than five years to create Linotype Gianotten, a successful new interpretation of the classic Bodoni types. To re-draw the 200-year-old characters for the world of modern digital technology, Pace studied Giambattista Bodoni's original punches at the Bodoni Museum in Parma. He felt that previous Bodoni interpretations were not well suited for body texts, so he focused his study of Bodoni's "Manuale Typografico" on the types made specifically for text sizes. Consequently, his Bodoni has strong hairlines, rounded transitions and shorter, fluted serifs - elements that help to achieve readability by providing an overall tranquil effect. This contemporary, highly readable family is an excellent choice for text settings in books, newspapers, and magazines. Incidentally, the name Gianotten has nothing to do with Bodoni, but was chosen by Antonio Pace and Linotype to honor Dutch typographer, Henk W. J. Gianotten.